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Dont Think Twice Its All Right Tab (ver 6) - Bob Dylan


 
Dont Think Twice Its All Right Tab
DON'T THINK TWICE, IT'S ALL RIGHT

As recorded by Bob Dylan
(From the 1963 Album THE FREEWHEELIN' BOB DYLAN)

Words and Music by Bob Dylan

Transcribed by Slowhand


Gtr I (E A D G B E) - 'Bob Dylan - Acoustic Guitar w/ capo 4th fret'


   Intro & Harmonica Interlude
    Q=185
    C                G7                Am                F
   4/4
    Gtr I (Ac. Gtr. w/ capo 4th fret)
    H     E E +Q     E E E E e E E E   +H      E E E E   E E E E +Q   E E
||-----------------|-------0h1-------|-----------------|------------------|
||o----------------|---------------1-|-(1)-----------1-|-------1-(1)------|
||----------0-(0)--|---0-------0-----|-----------2-----|---2------------2-|
||-----2-------2---|-----0-------0---|------2------2---|-----3--------3---|
||o-3--------------|-----------------|--0--------------|------------------|
||--------3--------|-3-------3-------|---------3-------|-1--------0h1-----|
    Q  Q  Q    Q     H       Q   Q      Q   Q  H         H        E E Q


  C                 G7                C
  E E E E E E E E   E E E E e E E E   +Q   E E +Q   Q    Q  E E +Q   Q
|-----------------|-------0h1-------|------------------|----------------||
|-------1-------1-|---------------1-|-(1)----1-(1)-----|-1----1-(1)-----||
|---0-------0-----|---0-------0-----|------------------|----------------||
|-----2-------2---|-----0-------0---|------2--------2--|----2--------2--||
|-----------------|-----------------|-----------3------|---------3------||
|-3-------3-------|-3-------3-------|--3---------------|-3--------------||
                    H       Q   Q      Q   Q    Q   Q    Q  Q    Q   Q


 1st, 2nd, 3rd & 4th Verse
  C                G7                Am
  H     E E +Q     E E E E e E E E   +H      E E E E   E E E E E E +Q
|----------------|-------0h1-------|-----------------|------------------|
|----------------|---------------1-|-(1)-----------1-|-------1----------|
|---------0-(0)--|---0-------0-----|-----------2-----|---2-------2-(2)--|
|----2-------2---|-----0-------0---|------2------2---|-----2--------2---|
|-3--------------|-----------------|--0------0-------|-0----------------|
|-------3--------|-3-------3-------|-----------------|---------3--------|
  Q  Q  Q    Q     H       Q   Q      Q   Q  H         H       Q    Q


  F                                   C
  E E E E E E E E   E E E E E E E E   +Q   Q  E E E E
|-----------------|-----------------|-----------------|
|-------1-------1-|-----------1-----|------1--------1-|
|---2-------2-----|---2---0h2-----0-|-(0)-------0-----|
|-----3-------3---|-----3-------3---|------2------2---|
|-----------------|-----------------|-----------------|
|-1-------1-------|-1-------1-------|--3------3-------|
                    H       Q   Q      Q   Q  H


  G7                C
  E E E E e E E E   +H      E E +Q
|-------0h1-------|------------------|
|---------------1-|-(1)--------------|
|---0-------0-----|-----------0-(0)--|
|-----0-------0---|------2-------2---|
|-----------------|------------------|
|-3-------3-------|--3------3--------|
  H       Q   Q      Q   Q  Q    Q


  G7                Am                                   D7
  E E E E e E E E   +H      E E E E   E E E E E E +Q     E E E E E E E E
|-------0h1-------|-----------------|------------------|-----------------|
|---------------1-|-(1)-----------1-|-------1----------|-------1-------1-|
|---0-------0-----|-----------2-----|---2-------2-(2)--|---2-------2-----|
|-----0-------0---|------2------2---|-----2--------2---|-----0-------0---|
|-----------------|--0------0-------|-0----------------|-----------------|
|-3-------3-------|-----------------|---------3--------|-2-------2-------|
  H       Q   Q      Q   Q  H         H       Q    Q


                    G                                      C
  E E E E E E E E   E E +Q   E E Q     E E +Q   E E +Q     H     E E E E
|-----------------|------------------|-------------------|---------------|
|-------1---------|---0-(0)----0-----|---0-(0)-----------|-------------1-|
|---2-------2---0-|------------------|------------0-(0)--|---------0-----|
|-----0-------0---|------0h2-----2h3-|------3--------0---|----2------2---|
|-----------------|------------------|-------------------|-3-------------|
|-2-------2-------|-3--------3-------|-3--------3--------|-------3-------|
                    Q    E E Q   E E   Q    Q   Q    Q     Q  Q  H


                  C7                                 F
  H     E E E E   +H      E E E E   E E E E E E Q    E E E E E E E E
|---------------|-----------------|----------------|-----------------|
|-------------1-|-(1)-----------1-|-------1--------|-------1-------1-|
|---------0-----|-----------3-----|---3-------3----|---2-------2-----|
|----2------2---|------2------2---|-----2-------2--|-----3-------3---|
|-3-------------|--3------3-------|-3-------3------|-----------------|
|-------3-------|-----------------|----------------|-1-------1-------|
  Q  Q  H          Q   Q  H


                     D7                                  C
  E E E E E E +Q     E E E E E E E E   E E E E e E E E   E E E E E E E E
|------------------|---------------0-|-------0h2-------|-----------------|
|-------1----------|-------1---------|---------------1-|-------1-------1-|
|---2-------2-(2)--|---2-------2-----|---2-------0-----|---0-------0-----|
|-----3--------3---|-----0-------0---|-----0-------0---|-----2-------2---|
|------------------|-----------------|-----------------|-----------------|
|-1-------1--------|-2-------2-------|-2-------2-------|-3-------3-------|
  H       Q    Q                       H       Q   Q


  G                 Am                F                C
  E E E E E E E E   E E E E E E E E   E E E E E E Q    E E E E E E E E
|-----------------|-----------------|----------------|-----------------|
|-------0-------0-|-------1-------1-|-------1--------|-------1-------1-|
|---0-------0-----|---2-------2-----|---2-------2----|---0-------0-----|
|-----0-------0---|-----2-------2---|-----3-------3--|-----2-------2---|
|-----------------|-0---------------|----------------|-----------------|
|-3-------3-------|---------3-------|-1-------1------|-3-------3-------|


                                     1.,2.,3.,4.         5.
  G                   C                                   C
  E E +Q   E E +Q     H     E E E E   +H      E E E E  5x Q  Q  H
|-------------------|---------------|------------------||-0----------*|
|-------------------|-------------1-|-(1)-----------1-o||-1----------*|
|---0-(0)----0-(0)--|---------0-----|-----------3------||-0----------*|
|------0h2------3---|----2------2---|------2------2----||-2----------*|
|-------------------|-3-------------|--3------3-------o||-3----------*|
|-3--------3--------|-------3-------|------------------||------------*|
  Q    E E Q    Q     Q  Q  H          Q   Q  H           W


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths



It ain’t no use to sit and wonder why, babe
It don’t matter, anyhow
An’ it ain’t no use to sit and wonder why, babe
If you don’t know by now
When your rooster crows at the break of dawn
Look out your window and I’ll be gone
You’re the reason I’m trav’lin’ on
Don’t think twice, it’s all right

It ain’t no use in turnin’ on your light, babe
That light I never knowed
An’ it ain’t no use in turnin’ on your light, babe
I’m on the dark side of the road
Still I wish there was somethin’ you would do or say
To try and make me change my mind and stay
We never did too much talkin’ anyway
So don’t think twice, it’s all right

It ain’t no use in callin’ out my name, gal
Like you never did before
It ain’t no use in callin’ out my name, gal
I can’t hear you anymore
I’m a-thinkin’ and a-wond’rin’ all the way down the road
I once loved a woman, a child I’m told
I give her my heart but she wanted my soul
But don’t think twice, it’s all right

I’m walkin’ down that long, lonesome road, babe
Where I’m bound, I can’t tell
But goodbye’s too good a word, gal
So I’ll just say fare thee well
I ain’t sayin’ you treated me unkind
You could have done better but I don’t mind
You just kinda wasted my precious time
But don’t think twice, it’s all right 
 
 
Bob Dylan - Dont Think Twice Its All Right Tab :: indexed at Ultimate Guitar.
Dont Think Twice Its All Right tabs @ 911Tabs

About the artist behind Dont Think Twice Its All Right Tab:

Bob Dylan (born Robert Allen Zimmerman May 24, 1941) is an American singer-songwriter, author, musician, and a poet who has been a major figure in popular music for five decades. Much of Dylan's most celebrated work dates from the 1960s, when he became an informal chronicler and a reluctant figurehead of American unrest. A number of his songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'",[1] became anthems of the anti-war and civil rights movements. His most recent studio album, Modern Times, released on August 29, 2006, entered the U.S. album chart at number one, and that same year was named Album of the Year by Rolling Stone magazine.[2]

Dylan's early lyrics incorporated politics, social commentary, philosophy and literary influences, defying existing pop music conventions and appealing widely to the counterculture. While expanding and personalizing musical styles, he has shown steadfast devotion to many traditions of American song, from folk and country/blues to gospel, rock and roll and rockabilly, to English, Scottish and Irish folk music, and even jazz and swing.[3][4]

Dylan performs with the guitar, keyboard and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the "Never Ending Tour". Although his accomplishments as performer and recording artist have been central to his career, his songwriting is generally regarded as his greatest contribution.[5]

Over many years, Dylan has been recognized and honored for his songwriting, performing, and recording. His records have earned Grammy, Golden Globe, and Academy Awards, and he has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and Songwriters Hall of Fame. In 1999, Dylan was included in TIME Magazine's 100 most influential people of the 20th century, and in 2004, he was ranked number two in Rolling Stone magazine's list of "Greatest Artists of All Time", second only to The Beatles.[6] In January 1990, Dylan was made a Commandeur des Arts et des Lettres by French Minister of Culture Jack Lang; in 2000, he was awarded the Polar Music Prize by the Royal Swedish Academy of Music;[7] and in 2007, Dylan was awarded the Prince of Asturias Award in Arts in Spain by the Fundación Príncipe de Asturias. He has been nominated several times for the Nobel Prize in Literature.[8][9][10]

In 2008, Dylan was awarded a Pulitzer Prize Special Citation for his "profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."[11] Previous recipients of this award include Thelonious Monk and John Coltrane.[12]

Indexed at Wikipedia.

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