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Contenders Chords
The Contenders (The Kinks, Lola VS Powerman and The Money-Go-Round pt.1)

CHORDS USED
E 022100
A 002220
G 320033
D 000232
B 024442
B7 021200

E                              B7
hush little mammy don't you cry
                                           E
gonna see what it's like on the world outside
                                    B7
we gotta get out of this life somehow
                               E
gotta be free, we gotta be free now

E B A G E (x2)

E A E G D E

A
I don't wanna be a constructor of highways
                                                E
a sweeper of sidewalks, I've got to do in my way
 A
I'm too ill-equipped for a mathematician
                                        E    G D E (x2)
a shrewd politician, a maker of decisions

E B A G E (x2)

E A E G D E

A
we're not the greatest when we're separated
                                                  E
but when we're together I think we're gonna make it
 A
I don't wanna be like a fascist dictator
                                       E    G D E (x2)
a saint or a sinner, I wanna be a winner

E B A G E (x2) E D B A

 
 
Kinks - Contenders Chords :: indexed at Ultimate Guitar.
Contenders tabs @ 911Tabs

About the artist behind Contenders Chords:

The Kinks were an English pop/rock group formed in 1963, and categorised as a British Invasion band, along with the other members of the so-called Big Four (The Beatles, The Rolling Stones and The Who). Despite being less commercially successful than these three contemporaries, mostly because of a four-year ban from the United States in the mid-to-late 1960s, the Kinks are cited among them as one of the most important and influential rock bands of all time and have 12 top 40 hits in America.[1]

The band's early hard-driving singles set a standard in the mid-1960s for rock and roll, while albums such as Face to Face,[2] Something Else, The Kinks Are the Village Green Preservation Society, Arthur and Muswell Hillbillies are highly regarded by fans, critics, and peers, and are considered amongst the most influential recordings of the era.[3]

Indexed at Wikipedia.

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