#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## To: [email protected] Subject: TAB: Staying Alive - Bee Gees Posted by:[email protected] (MELISSA A CAMPBELL) Date: Tue, 22 Feb 1994 01:09:44 GMT Here is the tab to "Stayin' Alive." The song is in the key of A flat, but all the Ds are played as natural instead of flattened. I have put the chords under the tab charts instead of over the lyrics. The chord changes appear to be few and far between; that is just because of the fast 4/4 tempo. By the way, could someone please, please, please post the tab to "Don't Stand So Close to Me" by the Police? Exceed your disk quo, Proceed to disco. :) "Stayin' Alive" Bee Gees Intro: Well you can tell ------------------------------|---------------------------------------| ------------------------------|--------------------------------13-----| I -----------13-----------------|------------------------13--15--13-----| I o ---13--15------13----------13-|------------13-----15-----------13-----| I o ---15------15--15-15-13-15----|---13---15------13---------------------| I ---------------------13-------|---13-------13--13---------------------| by the way I use my walk, I'm a wom|an's man; no time to talk get__ low and I get high, and if I |cant get either i real-ly try.Got the --------------------------------------|-------------------------------------| --------------------------------------|-------------------------------------| 15-13--15------13--13-15-----------13-|13-----------------------------------| -------13--15--13--13-13----15--15-13-|-----15--------13-15---15-15---------| -------15------15--15-15-----------13-|------------------15---15-15---------| --------------------------------------|------------------16---16-16---------| (Fm7) (Eb) (Fm) mus- ic loud and women warm, I've been |kicked around since I-- was born. wings of heav-en on my shoes, I'm a |danc- in man and I just cant lose ----------------------------------------|-----------------------------------| 13----13-13-----------------------------|-----------------------------------| 13----13-13-------13-13-15--------------|13-----13-13-----------------------| 13----13-13---15--13-13-13----15---15---|13-----13-13--13----15----15--15---| ------------------15-15-15--------------|13-----13-13--------15----15--15---| ----------------------------------------|--------------------16----16--16---| (Fm7) (Eb) (Fm) And now it's | all right, it's o k. And | you may look the other way. You know it's | all right, it's o k. I'll | live to see an- other day. --------------|----------------------------|-----------------------------| --------------|----------------------------|-----------------------------| ----13---13---|-15--15-----13---15-15------|-13--15--15---13--17-15-15---| 15------------|-15--15-----15---15-15------|-15--15--15---15--15-15-15---| --------------|-17--17-----17---17-17------|-17--17--17---17--17-17-17---| --------------|----------------------------|-----------------------------| (Bb7) We can try to understand the | New York Times' ef-fect on man. -----------------------------|--------------------------------| 13-15--15-----13-15-15-------|-13--15---15-----13-16---15-15--| 13-15--15-----13-15-15-------|-13--15---15-----15-17---15-15--| 15-15--15--15-15-15-15---15--|-15--15---15-----15-15---15-15--| -----------------------------|--------------------------------| -----------------------------|--------------------------------| Whether you're a brother or whether you're a mother, you're stay | -----------------------------------------------------------------| 13--13--13----13-13----------------------------------------------| 13--13--13----13-13--15--15-15--13--13----13-13--12--12-----12---| 13--13--13----13-13--17--17-17--15--15----15-15--13--13-----13---| ---------------------17--17-17--15--15----15-15--13--13-----13---| -----------------------------------------------------------------| (Fm7) in' alive, stayin' alive. | ------------------------- | ------------------------- | 13--13-13--12--13--13-13- | 15--15-15--13--15--15-15- | 15--15-15--13--15--15-15- | ------------------------- | Repeat the the above 2 lines (starting with "whether..." with these words: Feel the city breakin' and ev'rybody shakin', and we're | stay in' alive, stayin' alive. | (throw in an extra 12/13/13 during the word "shaking") Ah ha ha ha | stayin' alive, stayin' alive | Ah ha ha ha | ------------|------------------------------|---------------| 13----------|------------------------------|-13------------| 13-15-13-12-|-12--13--13-13--12--13--13-13-|-13-15-13-12---| 13-17-15-13-|-13--15--15-15--13--15--15-15-|-13-17-15-13---| ---17-15-13-|-13--15--15-15--13--15--15-15-|----17-15-13---| ------------|------------------------------|---------------| stayin' alive_|........|...........|...........| (periods represent --------------|--------|-----------|-----------| holding of vocal -----------13-|--------|-----------|-----------| notes.) 13--13--13-13-|15-17-15|-13 (whole |-12 (whole)| 15--15--15-15-|17------|-15--notes)|-13--------| 15--15--15----|18------|-15--------|-13--------| --------------|--------|-----------|-----------| (Fm) (Eb/F) (Fm) (Cm7) -------- | 1. | well now | | -------------------------|--------------------------- | I | -------------------------|--------------------------- | O I -------13----------------|-------------------13---15- | I -13-15----13-----------13|-------13-------13-15------ | O I -15----15-15--15-13-15---|-13-15----13--15----------- | I -----------------13------|-13----13-13--------------- | (Fm7) _____FIG B_________ -------- | | | 2. /* * * * * Figure A * * * * * Life goin' no where | -----------------------|-----------------------|-----------------------| | -----------------------|-----------------------|-----------------------| ------13---------------|---------------------13|15---15-13-17-15-13----| 13-15----13----------13|------13-------13-15---|15---15----15-17----15-| 15----15-15-15-13-15---|13-15----13-15---------|17---17----17-17-------| ---------------13------|13----13-13------------|-----------------------| (Fm) (Bb7) Somebody help me.... Somebody help me, yeah. --------------------------|--------------------------------------| --------------------------|-13-----------------------------------| 15--15-13-17--15---13-----|----13----15-12----13-------12--------| 15--15----15--15------15--|-------15-------13----15-------13-----| 17--17----17--17----------|-------------------------15-------13--| __________________________|--------------------------------------| Fig A | Fig B | (Fm7) | (Bb7) Life goin' no where| Somebody help me, yeah | ------------------------| | ------------------------| | 13-15-13-15---13--15-13-| | ---15----15-------------| | ---17----17-------------| | ------------------------| Stayin' alive................... -----------------------------------------------| Fig A 13---------------------------------------------| ---13----15-12----13-------12------------------| ------15-------13----15-------13---------------| ------------------------15-------13------------| -----------------------------------------------| (Fm) repeat and fade. If anyone has questions or finds any mistakes, feel free to e-mail me at [email protected] Melissa
About the artist behind Staying Alive Tab:
The multiple Grammy Award-winning group was successful for most of its forty years of recording music, but it had two distinct periods of exceptional success: as a harmonic "soft rock" act in the late 1960s and early 1970s, and as the foremost stars of the disco music era in the late 1970s.
No matter the style, the Bee Gees sang tight three-part harmonies that were instantly recognizable; as brothers, their voices blended perfectly, in the same way that The Everly Brothers' did. Barry sang lead on many songs, and an R&B falsetto introduced in the disco years; Robin provided the clear vibrato lead that was a hallmark of their pre-disco music; Maurice sang high and low harmonies throughout their career. The three brothers co-wrote most of their hits, and they said that they felt like they became 'one person' when they were writing. The group's name was retired after Maurice died in January 2003.
The Bee Gees were inducted into The Rock and Roll Hall of Fame in 1997; fittingly, the presenter of the award to "Britain's first family of harmony"[1] was Brian Wilson, leader of the Beach Boys, America's first family of rock harmony.
It has been estimated that the Bee Gees' record sales total more than 220 million, easily making them one of the best-selling music artists of all-time. The above figure in record sales does not include record sales for artists for whom they have written and with whom they have collaborated. Their 1997 Rock and Roll Hall of Fame citation says "Only Elvis Presley, The Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees".[2]
Indexed at Wikipedia.