The KInks - Dedicated Follower of Fashion (1966) Tabbed by happy_jack ([email protected]) C Csus4 C Csus4 C G7 They seek him here C They seek him there G7 His clothes are loud C But never square F C Bb7 A7 It will make or break him so he's got to buy the best Dm7 G7 C 'Cos he's a dedicated follower of fashion G7 And when he does C His little rounds G7 'Round the boutiques C Of London town F C Bb7 A7 Eagerly pursuing all the latest fads and trends Dm7 G7 C 'Cos he's a dedicated follower of fashion G7 Oh yes he is (oh yes he is) C Oh yes he is (oh yes he is) F C He thinks he is a flower to be looked at F C Bb7 A7 And when he pulls his frilly nylon panties right up tight Dm7 G7 C He feels a dedicated follower of fashion G7 Oh yes he is (oh yes he is) C Oh yes he is (oh yes he is) F C There's one thing that he loves and that's his flattery F C Bb7 A7 One week he's in polka-dots the next week he's in stripes Dm7 G7 C 'Cos he's a dedicated follower of fashion G7 They seek him here C They seek him there G7 In Regent Street C And Leicester Square F C Bb7 A7 Everywhere the Carnabetian army marches on Dm7 G7 C Each one a dedicated follower of fashion G7 Oh yes he is (oh yes he is) C Oh yes he is (oh yes he is) F C His world is built 'round discotheques and parties F C Bb7 A7 This pleasure-seeking individual always looks his best Dm7 G7 C 'Cos he's a dedicated follower of fashion G7 Oh yes he is (oh yes he is) C Oh yes he is (oh yes he is) F C He flits from shop to shop just like a butterfly F C Bb7 A7 In matters of the cloth he is as fickle as can be Dm7 G7 C A7 'Cos he's a dedicated follower of fashion Dm7 G7 C A7 He's a dedicated follower of fashion Dm7 G7 C Csus4 C Csus4 C He is a dedicated follower of fashion
About the artist behind Dedicated Follower Of Fashion Chords:
The band's early hard-driving singles set a standard in the mid-1960s for rock and roll, while albums such as Face to Face,[2] Something Else, The Kinks Are the Village Green Preservation Society, Arthur and Muswell Hillbillies are highly regarded by fans, critics, and peers, and are considered amongst the most influential recordings of the era.[3]
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