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Dorina Tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
From: [email protected] (Jeff Matson)
originally by ~From: Don Hasenmayer 

I worked on this some, and this is what I came up with.

Dorina : Dada Puzzle

lots of bends and stuff, but you can figure it out

                                     pinch harm

The part right before the verse begins is:
e ----------------------0-------------|
B ----------------------0-------------|
G ----------------------0-------------|
D -12--9--11--7--9--5---2-------------|
A ----------------------2-------------|
E ----------------------0-------------|
e -------------------0--|
B ---3---2---0-------0--|
G -----3---2---0-----0--|
D -------------------2--|
A -------------------2--|
E -------------------0--|

(E) Bass
Tried to make you happen
(E) Bass
Tried to make you real
(A) Bass                   (G) Bass
Tried to make your face

From a broken Ferris Wheel

e---------------  ---------|
B---------------  -5--5--5-|  then the part
G-0-0-2-2-0-0---  -4--4--4-|  that comes before
D-0-0-2-2-0-0---  ---------|  Riff 1
A-x-x-0-0-x-x---  ---------|
E-3-3-----3-3---  ---------|
                          this part x2

Listen to me Dori
Listen and you'll hear
A wind that carries Lonely
And a wind that carries tears


riff 2

Riff 2A (chord sequence after riff2)
e-5---5---5--5-------you can-----5--5--5--5---|   It's really just a matter of
B-6---5---3--3-------also try----6--5--6--3---|   personal preference, as far
G-7---4---5--4--------these------7--6--5--4---|   as I'm concerned.  My ear
D---------------------------------------------|   for music isn't perfect, so
A---------------------------------------------|   I just play whatever I think
E---------------------------------------------|   sounds good.

You can also try just strumming the end chords with an emphasis on the high

The bartender must be crazy
He's such an irritating host
Every night the same dumb question
Where's your pretty little ghost

Can't a man imagine
Can't a man be free
Can't a man just have one little drink

End Chords
e -5--5--5--5---|
B -6--5--3--3---|
G -7--6--5--4---|
D -7--7--5--5---|
A -5--7--3--3---|
E -5--5--3--3---|

it also wouldn't surprise me if it were two guitars, one playing riff 2a
and the other playing

e -5--5--3--3------|
B -6--5--5--3------|
G -7--6--5--4------|
D -7--7--5--5------|
A -5--7--3--5------|
E -5--5--3--3------|

By the way, you may have noticed I don't omit notes on any of the strings
for these chords.  That's because I don't know which ones to leave out.


Well, that's what I've got.  I didn't fill in all the solos, because that
stuff takes forever, but I like the sound of most of this.  If you have any
feedback on what I've done with this, let me know.  Thanks for the headstart.

Dada - Dorina Tab :: indexed at Ultimate Guitar.
Dorina tabs @ 911Tabs
People who played Dada - Dorina Tab also played these songs by Dada:
Dim Tab, Dim Tab, Dizz Knee Land Tab, Dizz Knee Land Tab, S F Bar 6 Chords, Feet To The Sun Tab

About the artist behind Dorina Tab:

Dada or Dadaism is a cultural movement that began in neutral Zürich, Switzerland, during World War I and peaked from 1916 to 1920. The movement primarily involved visual arts, literature (poetry, art manifestoes, art theory), theatre, and graphic design, and concentrated its anti war politic through a rejection of the prevailing standards in art through anti-art cultural works. Dada activities included public gatherings, demonstrations, and publication of art/literary journals. Passionate coverage of art, politics, and culture filled their publications. The movement influenced later styles, Avant-garde and Downtown music movements, and groups including Surrealism, Nouveau Réalisme, Pop Art and Fluxus.

Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of antiart to be later embraced for anarcho-political uses in the 1960s and the movement that lay the foundation for Surrealism. Marc Lowenthal, Translator's introduction to Francis Picabia's I Am a Beautiful Monster: Poetry, Prose, And Provocation (MIT Press 2007)

Cover of the first edition of the publication Dada. Edited by Tristan Tzara. Zürich, 1917.

Indexed at Wikipedia.

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