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Mcis Tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
MELLON COLLIE and the INFINITE SADNESS - the song :)

TRANSCRIBED BY ADAM MORRIS

DO NOT overlook this TAB just because it a piano song,
it is GREAT fun to play!!

THIS IS THE COMPLETE TAB!!

I have completed the TAB after MANY requests to do so,
so...enjoy!

This was NOT an easy task, I can assure you of that!!
Some piano chords do not convert well to guitar!

TUNING: 1/2 step down, dropped D (actually Db), with
        capo on 2nd fret.  The 3rd fret now becomes
        the 1st fret etc. (this is just to be consistent
        with the half step down thing)


Piano arranged for guitar


E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |-1--0------------------------0--|
  |-x-----3--1-----1--------1-3----|
  |-3--------x--2--0------0--------|
  |-3--------3-----2----2----------|
  |-1--------3-----3--3------------|
  |--------------------------------|

  |--------------------------------|
  |-6--5--3--1--1------------3-1---|
  |-0-----0--x--2--0-------0-----3-|
  |-0--------3-----1-----1---------|
  |-x--------3-----1---1-----------|
  |-5--------------1-1-------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1---------1--------------------|
  |-2------2----3-2-0------0--3-2--|
  |-3----3----------1----1--------3|
  |-3--3------------1--1-----------|
  |--------------------------------|

CELLO ENTERS

E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |-1--0------------------------0--|
  |-x-----3--1-----1--------1-3----|
  |-3--------x--2--0------0--------|
  |-3--------3-----2----2----------|
  |-1--------3-----3--3------------|
  |--------------------------------|

  |----------------------------0---|
  |--------1---3-1---------1-3-----|
  |-3----x-2-----0-------0---------|
  |-3-2--x-3-----2-----2-----------|
  |-1------3-----3---3-------------|
  |--------------------------------|

  |----------------------------0---|
  |--------1---3-1---------1-3-1---|
  |-3----x-2-----0-------0---0-----|
  |-3-2--x-3-----2-----2-----------|
  |-1------3-----3---3-------------|
  |--------------------------------|

  |----------------------------0---|
  |--------1---3-1---------1-3-1---|
  |-3----x-2-----0-------0---0-----|
  |-3-2--x-3-----2-----2-----------|
  |-1------3-----3---3-------------|
  |--------------------------------|

  |-1-0----------------------------|
  |-3-3---1------------------3-1---|
  |-x-----2---2--0---------0-----3-|
  |-0-----3---3--1-------1---------|
  |-------3------1-----1-----------|
  |--------------1---1-------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1--------1---------------------|
  |-2------2---3-2-0-------0-3-2---|
  |-x----3---------1-----1-------3-|
  |-3--3-----------1---1-----------|
  |------------------1-------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |-1--0------------------------0--|
  |-x-----3--1-----1--------1-3----|
  |-3--------x--2--0------0--------|
  |-3--------3-----2----2----------|
  |-1--------3-----3--3------------|
  |--------------------------------|

  |--------------------------------|
  |-6--5--3--1--1------------3-1---|
  |-0-----0--x--2--0-------0-----3-|
  |-0--------3-----1-----1---------|
  |-x--------3-----1---1-----------|
  |-5--------------1-1-------------|


  |--------------------------------|
  |------------1-------------------|
  |-2--------2---3-2--0--------0---|
  |-0------0----------1------1-----|
  |-0----0------------1----1-------|
  |-0--0--------------1--1---------|

  |--------------------------------|
  |-3-1-----------------1----------|
  |-----3-2----------2------3---2--|
  |-------0--------0---------------|
  |-------0------0-----------------|
  |-------0----0-------------------|

  |---------------19-20------**-----|
  |-------11-12---------------------|
  |-4-------------------------------|
  |-4-------------------------------|
  |-2-------------------------------|
  |---------------------------------|
  *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*
   This whole measure is IMPOSSIBLE
   to be arranged for guitar because
   of the difference in number of
   octaves to a piano.  The C is meant
   to be a low C, but I HAD to arrange
   it as a high, I am very sorry!
** Impossible note on a guitar.

**** Remember that the numbers shown
     are fret numbers IN RELATION TO
     THE CAPO!
     The dot on the 3rd fret becomes the
     1st fret in the tab fret.

As you can probably tell, this TAB was not
an easy task for me to work out and transcribe,
so.....

PLEASE tell me what you think!!!

Adam
[email protected]

 
 
Smashing Pumpkins - Mcis Tab :: indexed at Ultimate Guitar.
Mcis tabs @ 911Tabs

About the artist behind Mcis Tab:

The Smashing Pumpkins are an American alternative rock band that formed in Chicago, Illinois in 1988.[1] While the group has gone through several lineup changes, The Smashing Pumpkins consisted of Billy Corgan (vocals/guitar), James Iha (guitar/vocals), D'arcy Wretzky (bass guitar/vocals), and Jimmy Chamberlin (drums/percussion) for most of the band's recording career.

Disavowing the punk rock roots shared by many of their alt-rock contemporaries,[2] the Pumpkins have a diverse, densely layered, and guitar-heavy sound, containing elements of gothic rock, heavy metal, dream pop, psychedelic rock, arena rock, shoegazer-style production and, in later recordings, electronica. Frontman Billy Corgan is the group's primary songwriter—his grand musical ambitions and cathartic lyrics have shaped the band's albums and songs, which have been described as "anguished, bruised reports from Billy Corgan's nightmare-land".[3]

The Smashing Pumpkins broke into the musical mainstream with their second album Siamese Dream (1993). The group built their audience with extensive touring and their follow-up, the double album Mellon Collie and the Infinite Sadness (1995), debuted at number one on the Billboard charts. With approximately 18.25 million albums sold in the United States alone,[4] The Smashing Pumpkins were one of the most commercially successful and critically acclaimed bands of the 1990s.[5] However, internal fighting, drug use, and diminishing sales hampered the band and led to a 2000 break-up. In April 2006, the band officially announced that it was reuniting and recording a new album. Returning members Billy Corgan and Jimmy Chamberlin were joined by musicians Jeff Schroeder (guitar/vocals), Ginger Reyes (bass/vocals), and Lisa Harriton (keyboard/vocals) in 2007 to tour in support of their new release, Zeitgeist (2007).

Indexed at Wikipedia.

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