#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: Harlan L Thompson STRANGERS- The Kinks G C F G Where are you going I don't mind C F G I've killed my world and I've killed my time C F G So where do I go what do I see C F G I see many people coming after me C F E So where are you going to I don't mind Am Am/G F C If I live too long I'm afraid I'll die F C E So I will follow you wherever you go Am Am/G F C If your offered hand is still open to me CHORUS: E E7 Am F Strangers on this road we are on C G C C/B F C G We are not two; we are one C F G So you've been where I've just come C F G >From the land that brings losers on C F G So we will share this road we walk C F G And mind our mouths and beware our talk C F E Till peace we find tell you what I'll do Am Am/G F C All the things I own I will share with you F C E And if I feel tomorrow like I feel today Am Am/G F C We'll take what we want and give the rest away ...CHORUS C F G Holy man and holy priest C F G This love of life makes me weak in my knees C F G And when we get there make your play C F G Cos soon I feel you're gonna carry us away C F E In a promised lie you made us believe Am Am/G F C For many men there is so much grief F C E And my mind is proud but it aches with rage Am Am/G F C And if I live too long I'm afraid I'll die ...CHORUS E E7 Am F Strangers on this road we are on C G C C/B F C G C We are not two; we are one (from Lola vs. Powerman and the Moneygoround, 1970) (sent by Harlan at [email protected])
About the artist behind Strangers Chords:
The band's early hard-driving singles set a standard in the mid-1960s for rock and roll, while albums such as Face to Face,[2] Something Else, The Kinks Are the Village Green Preservation Society, Arthur and Muswell Hillbillies are highly regarded by fans, critics, and peers, and are considered amongst the most influential recordings of the era.[3]
Indexed at Wikipedia.