DID YOU KNOW?
Šárka (1887)
The Beginning of a Romance (1894)
Jenůfa (1904)
Osud (1907)
The Excursions of Mr. Brouček (1920)
Káťa Kabanová (1921)
The Cunning Little Vixen (1924)
The Makropulos Affair (1926)
From the House of the Dead (1930)
v • d • e
The Cunning Little Vixen (Czech: Příhody Lišky Bystroušky, lit. The Adventures of Vixen Sharp-Ears) is an opera by Leoš Janáček, with a libretto adapted by the composer from a serialized novella (daily comic) by Rudolf Těsnohlídek, which was first published in newspaper Lidové noviny.
When Janáček discovered Těsnohlídek's comic-strip and decided to turn it into an opera, he began work by meeting with the author and beginning a study of animals. With this understanding of the characters involved, his own 70 years of life experience, and an undying, unrequited love for the much younger, married Kamila Stösslová, he began work on the opera. Writing his own libretto, he transformed himself into the forester, and Kamila into the vixen and Terynka. He also transformed the originally comedic cartoon into a philosophical reflection on the cycle of life and death by including the death of the vixen. As with other operas by older composers, this late opera shows a deep understanding of life leading to a return to simplicity.
It was given its premiere performance on 6 November 1924 in Brno conducted František Neumann, with Ota Zítek as director and Eduard Milén as stage desinger.
Indexed at Wikipedia.
The Beginning of a Romance (1894)
Jenůfa (1904)
Osud (1907)
The Excursions of Mr. Brouček (1920)
Káťa Kabanová (1921)
The Cunning Little Vixen (1924)
The Makropulos Affair (1926)
From the House of the Dead (1930)
v • d • e
The Cunning Little Vixen (Czech: Příhody Lišky Bystroušky, lit. The Adventures of Vixen Sharp-Ears) is an opera by Leoš Janáček, with a libretto adapted by the composer from a serialized novella (daily comic) by Rudolf Těsnohlídek, which was first published in newspaper Lidové noviny.
When Janáček discovered Těsnohlídek's comic-strip and decided to turn it into an opera, he began work by meeting with the author and beginning a study of animals. With this understanding of the characters involved, his own 70 years of life experience, and an undying, unrequited love for the much younger, married Kamila Stösslová, he began work on the opera. Writing his own libretto, he transformed himself into the forester, and Kamila into the vixen and Terynka. He also transformed the originally comedic cartoon into a philosophical reflection on the cycle of life and death by including the death of the vixen. As with other operas by older composers, this late opera shows a deep understanding of life leading to a return to simplicity.
It was given its premiere performance on 6 November 1924 in Brno conducted František Neumann, with Ota Zítek as director and Eduard Milén as stage desinger.
Indexed at Wikipedia.
