Artist: Macabre Song: Werewolf of Bedburg Album: Murder Metal Tuning: E Riff one: -------------------------------------------------| -------------------------------------------------| -------------------------------------------------| -------------------------------------------------| -----2-----2-----2-----2-----1-----1-----1-----1-| -0-3---0-3---0-3---0-3---0-2---0-2---0-2---0-2---| [.....................pm........................] play 6 times (last 2 times without pm) Riff two: ---------------------------------------------| ---------------------------------------------| ---------------------------------------------| ---------------------------------------------| -2---2---2--2---2---2--1---1---1--1---1---1--| --33--33--3--33--33--3--22--22--2--22--22--2-| play 2 times Then play: 6x Riff one (last 2 times without pm) 2x Riff two 4x Riff one Riff three: -----------------------------------------------------| -----------------------------------------------------| -----------------------------------------------------| -----------------------------------------------------| -------2------------2------------1------------1------| -033333-33333-033333-33333-022222-22222-022222-22222-| play 2 times Riff four: -----------------------------------------------------| -----------------------------------------------------| -----------------------------------------------------| -----------------------------------------------------| -------2------2--2--2--2---------1------1--1--1--1---| -033333-33333--33-33-33-33-022222-22222--22-22-22-22-| Then play: 2x Riff two Riff five: ----------------------------| ----------------------------| ----------------------------| ----------------------------| -----2-------2---2---2---2--| -0-3---3-0-3---3--33--33--3-| ----------------------------| ----------------------------| ----------------------------| ----------------------------| -----1-------1---1---1---1--| -0-2---2-0-2---2--22--22--2-| play 2 times. Interlude: ----------------------------| ----------------------------| -----6-------6---6---6---6--| ---7---7---7---7--77--77--7-| ----------------------------| -5-------5------------------| ----------------------------| ----------------------------| -----5-------5---5---5---5--| ---6---6---6---6--66--66--6-| ----------------------------| -4-------4------------------| ----------------------------| ----------------------------| -----8-------8---8---8---8--| ---9---9---9---9--99--99--9-| ----------------------------| -7-------7------------------| ----------------------------| ----------------------------| -----7-------7---7---7---7--| ---8---8---8---8--88--88--8-| ----------------------------| -6-------6------------------| -----------------------------------| -----------------------------------| -----10------10---10----10----10---| ---11--11--11--11---1111--1111--11-| -----------------------------------| -9-------9-------------------------| ------------------------------| ------------------------------| -----9------9---9----9----9---| ---10-10--10-10--1010-1010-10-| ------------------------------| -8-------9--------------------| ------------------------------------| ------------------------------------| -----13-------13---13----13----13---| ---14--14---14--14---1414--1414--14-| ------------------------------------| -12-------12------------------------| ------------------------------------| ------------------------------------| -----12-------12---12----12----12---| ---13--13---13--13---1313--1313--13-| ------------------------------------| -11-------11------------------------| Then play: 6x Riff one (last 2 times without pm) 2x Riff two Repeat riff one to fade.Macabre - Werewolf Of Bedburg Tab :: indexed at Ultimate Guitar.
About artist:
After having seen Kagel's anti-operatic work "Staatstheater", Ligeti came to the conclusion that it was not possible to write any more anti-operas. He therefore resolved to write an "anti-anti-opera", an opera with an ironic recognition of both operatic traditions and anti-operatic criticism of the genre. From its brief overture, a mixture of rhythmic sounds scored for a dozen car horns, to the closing Passacaglia in mock classical style, the work evolves as collage of sonorities ranging from a grouping of urban sounds to snippets of manipulated Beethoven, Rossini and Verdi. Ligeti's opera is replete with irony and ambiguities, conveying a deadly serious message in a lightened humorous way.
Its central subject is mortality and its central character is Death, in the form of the character Nekrotzar (meant to be sung by a bass-baritone), who arrives in a city of skyscrapers. The streets are strewn with litter and populated by vagrants, giving the audience the impression that they are in a land on the verge of an apocalypse. Along with the drunkard and the astrologer, Nekrotzar proceeds to the court of Prince Go-Go, and a series of disjointed scenes raises the question of whether they are witness to the impending doom or it has all been a farce.
Le Grand Macabre was premiered in Stockholm on April 12, 1978, and received more than 30 productions since then, being perhaps the most performed contemporary opera. The revised version was premiered in Salzburg on July 28, 1997.
Indexed at Wikipedia.