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Love Me For What I Am Chords - Lobo

 
Love Me For What I Am Chords
LOVE ME OR WHAT I AM
written by Lobo

I think it's 90% correct, just correct it!!!

Intro: A-E-A-E


A                       E                   A            E 
I WORE THE CLOTHES YOU LIKED, YOU SAID THEY GAVE ME THAT LOOK
   A             E                D                A
I EVEN TRIED TO LIKE THE FOOD, I KNOW YOU LIKE TO COOK
    D                    A       E                      A
I PARTED MY HAIR ON THE LEFT, I CARRIED YOUR ARM ON THE RIGHT
   D                A             D                  E
I SLEPT LATE IN THE MORNING AND I STAYED OUT LATE AT NIGHT

chorus
              A      E           A    D 
(NO) I CAN'T GIVE ANYMORE OF MY SOUL AWAY
     A          E             D       E
AND STILL LOOK MYSELF IN THE MIRROR EVERYDAY
          A      E               A           D
I CAN'T CHANGE ANYMORE, OF WHAT MAKES ME BE MYSELF
     A          E                 D            E
AND STILL HAVE ENOUGH LEFT NOT TO BE SOMEBODY ELSE
Bm        D             E 
I'M NOT DEMANDING AS A MAN, 
Bm                  D                 A-E-A-E
JUST ASKING YOU TO LOVE ME FOR WHAT I AM

(lead) D-C#m-Bm-E-A-E-A-E

   A          E              A                       E
I TRIED HARD NOT TO SAY THE THINGS YOU DON'T LIKE TO HEAR
     A                  E          D              A 
AND WHEN TO YOU IT WAS APROPOS, I NIBBLED ON YOUR EAR
    D                 A          E                 A 
I OPENED THE DOOR UP FOR YOU, I KEPT MY BIG MOUTH SHUT
       D               A           D                E 
WELL, I'VE BEEN GOING DOWN, WHILE YOU'RE BEEN GOING UP

(chorus) x 2
         E                  A
UMMM... LOVE ME FOR WHAT I AM...
     E                 A 
OH, LOVE ME FOR WHAT I AM

Tablature player for this song:
 
 
Lobo - Love Me For What I Am Chords :: indexed at Ultimate Guitar.
Love Me For What I Am tabs @ 911Tabs

About the artist behind Love Me For What I Am Chords:

Alonso Lobo (February 25, 1555 – April 5, 1617) was a Spanish composer of the late Renaissance. Although not as famous as Victoria, he was highly regarded at the time, and Victoria himself considered him to be his equal.

He was born at Osuna. After being a choirboy at the cathedral in Seville, he received a degree at Osuna University, and took a position as a canon at a church in Osuna sometime before 1591. In that year the Seville cathedral appointed him as assistant to Francisco Guerrero, and he later became maestro de capilla during Guerrero's leave of absence. In 1593 Toledo Cathedral hired him as maestro de capilla; he remained there until 1604, when he returned to Seville.

Lobo's music combines the smooth contrapuntal technique of Palestrina with the sombre intensity of Victoria. Some of his music also uses polychoral techniques, which were common in Italy around 1600, though Lobo never used more than two choirs (contemporary choral music of the Venetian school often used many more — the Gabrielis often wrote for as many choirs as there were choir-lofts at St Mark's Basilica). Lobo was influential far beyond the borders of his native Spain: in Portugal, and as far away as Mexico, for the next hundred years or more he was considered to be one of the finest Spanish composers.

His works include masses and motets, three Passion settings, Lamentations, psalms and hymns, as well as a Miserere for 12 voices (which is lost). No secular or instrumental music by Lobo is known to survive.

Indexed at Wikipedia.

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