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You Cant Always Get What You Want Chords - Rolling Stones

 
You Cant Always Get What You Want Chords
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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From: John Blair 

You Can't Always Get What You Want
Rolling Stones

The sounding chords are C(add9), F, and D.


For the "Hot Rocks 1964-1971" version,
Keith uses open E tuning (EBEG#Be)
(Thanks to Larry Kaye for this info.)

Open E tuning (capo 8)
        E B E G#B E
        + + + + + +
(C) E:  0 0 2 0 0 0
(F) A:  0 2 0 1 2 0 (occasionally hammering the 5th string)
(D) F#: 2 2 2 2 2 2



In the Steel Wheels tour he uses his trusty
5-string-open-G-tuned Telecaster. (Obviously
Keith's a closet banjo player. Gee...wouldn't
an electric banjo version of "Honkey Tonk
Women" be interesting. But I digress...)

(Note: Keith doesn't have the 6th (bass) string)
Open G tuning (capo 5)
        DGDGBd
        ++++++
(C) G:  000000 (000200 for add9)
(F) C:  002010 or sometimes 002012
               (occasionally hammering the 4th string)
               (sometimes he'll quickly slide up to
                and back or just down from 004030)
(D) A:  222222



In the 1968 video "Rock and Roll Circus" Keith plays
the entire set (including "Jumping Jack Flash" which
he now plays in open G, and "You Can't Always Get
What You Want") in standard tuning without a capo.

I'm not really sure how he's playing it in the video,
but it looks/sounds like he's barring 8-10-12-9-8-8
for the Cadd9.


Though Keith doesn't play it this way, if you don't
want to bother going to open tuning, the following
is easy to play and very close to the same sound:
 
Standard tuning (capo 5)
        EADGBe
        ++++++
(C) G:  320003 (300203 for add9)
(F) C:  032013 (occasionally hammering the 4th string)
(D) A:  002220

After all that, the song itself is just pounding out
the chords:

C F C F...
  C                      F
I saw her today at the reception
  C                    F
A glass of wine in her hand
  C                              F
I knew she was gonna meet her connection
       C                    F
At her feet was a footloose man

Chorus:
    C                         F
You can't always get what you want
    C                         F
You can't always get what you want
    C                         F
You can't always get what you want
           D
But if you try sometimes, 
  F
You might find
                 C              F    C       F
You get what you need...   ahhhhhhh, yeah.....


I went down to the demonstration,
To get my fair share of abuse.
Singing "we're gonna vent our frustration,
And if we don't we're gonna blow a 50-amp fuse."

You can't always get what you want,
You can't always get what you want,
You can't always get what you want,
But if you try sometimes well you might find
You'll get what you need.

I went down to the Chelsea drugstore
To get your prescription filled.
I was standing in line with Mr. Jimmy,
And man, did he look pretty ill.
We decided that we would have a soda,
My favorite flavor, cherry red.
I sung my song to Mr. Jimmy,
And he said one word to me, and that was "dead,"
I said to him:

You can't always get what you want,
You can't always get what you want,
You can't always get what you want,
But if you try sometimes you just might find
You'll get what you need, ...oh yes

[instrumental]
You'll get what you need--yeah, oh baby.

I saw her today at the reception,
In her glass was a bleeding man.
She was practiced at the art of deception,
Well I could tell by her bloodstained hands.

You can't always get what you want,
You can't always get what you want,
You can't always get what you want,
But if you try sometimes you just might find
You just might find
You'll get what you need.

You can't always get what you want,
You can't always get what you want,
You can't always get what you want,
But if you try sometimes you just might find
You just might find
You'll get what you need.
From kaye@umbsky.cc.umb.edu Sun May  4 09:54:51 1997
Date: Thu, 17 Apr 1997 01:21:12 EDT
From: "Larry J. Kaye" 
To: GUITAR@OLGA.NET
Cc: kaye@umbsky.cc.umb.edu
Subject: TAB: Rolling Stones, "You Can't Always Get What You Want"

(upgrade--much more complete fuller version than what's on OLGA now)

            YOU CAN'T ALWAYS GET WHAT YOU WANT
                    (Jagger-Richards)

Original studio recording: 
Rolling Stones, "Let It Bleed" album (London Records, 1969)
(also on a single, edited--minus 2nd verse, 3rd verse cut in half)

Main rhythm guitar: acoustic in OPEN E TUNING, CAPO 8!
(Once you figure that out the rest isn't too hard)

tempo: medium ballad--about 104 b.p.m.

E tuning, low to high:  E, B, E, G#, B, E

Chords:                     () = chord with capo
            E  B  E  G# B  E
E add 9     0  0  2  0  0  0     (C add 9)  (or call it "add 2"?)
A           0  2  0  1  2  0     (F)
F#          2  2  2  2  2  2     (D)
E           0  0  0  0  0  0     (C)
F#sus       2  2  2  3  2  2     (Dsus)
B7sus       x  2  1  0  0  0     (G7sus)

(Note: unwilling to tune up to open E? Tuning to open D instead? You'll
find this hard to play (capo 10) unless you've got a cut-away.
I suggest tuning to open E-flat instead (1/2 step/one fret down from E, 
1 up from D) it doesn't put undue strain on the neck and you won't break
the G string--it stays G. The you can capo 9 and get to open C, or if that's
still hard to finger, capo to 8 and play it in B)

_________________________

This song is built around the following 2 bar lick:

opening  |
flourish | E add 9 (=C add 9)             A (=F)

-----------------0---0-------0--0-0-0-0----------0--0--0-------------
  --     |                              |                           |
-2--0-------0----0---0---0---0--0-0-0-0-|--0--0--2--2--2-------------
  --     |                              |                           |
-2--0----|--0----0---0---0---0--0-0-0-0-|--1--1--1--1--1-------1-----
  --     |                              |                           |
-2--0----|--2------------2------2---2---|--0--0--0--0--0-------0-----
         |                              |                  __       |              
---------|--0------------0--------------|--2--------------0--2-------
         |                              |                           |
---------|--0------------0--------------|--0----------------------0--

pull-off                                                  hammer-on

this pattern repeats throughout the song
with slight (mostly rhythmic) variations--listen to recording for rhythm

______________________

Full structure: lyrics, chords--in capoed tone, measures (|)


(Opening: choir sings 1st verse, chorus)

C add9 | F  x 4, with French horn intro.

Verse:
  | C add 9                  | F    
I saw her today at the reception, 
| C add 9                   | F
a glass of wine in her hand
  | C add 9                       | F
I knew she was gonna meet her connection, 
       | C add 9               | F
at her feet was a footloose man

Chorus:
    | C add 9                  | F 
You can't always get what you wa-ant       x 3
           | D  (see fill #1 below) | F                    | C    | F 
but if you try sometimes, you might find, you get what you need

Verse 2:
I went down to the demonstration, to get my fair share of abuse
Singing, "we're gonna vent our frustration, 
if we don't we're gonna blow a 50 amp fuse"

Chorus

Verse 3 (add 4 extra C add 9, F's--twice as long):

I went down to the Chelsea Drug Store, to get your prescription filled
I was standing in line with Mr. Jimmy, and man did he look pretty ill
We decided we would have a soda, my favorite flavor--cherry red
I sung my song to Mr. Jimmy, 
and he said one word to me and that was "dead" 

I said to him...
Chorus

Interlude, with brief electric solo and choir:

Dsus| C | F | Dsus| G7sus| then an instrumental chorus with last line sung

(If you don't have a choir handy--I seem to have misplaced mine right at the
moment--or a lead guitarist, try changing the rhythm to rapid strumming)

Verse 4: (back to standard pattern/rhythm)

I saw her today at the reception, in her glass was a bleeding man
She was practiced at the art of deception,
I could tell by her bloodstained hands

Chorus 3 times, then repeat and fade on C add 9, F with choir

___________________

Fill #1, last line of chorus, first time only:

-----------------------------------------------------------
                              |                           |
-----------------------------------------------------------
                              |                           |
--2------------------------------1--------------------1----
                              |                           |
--2----------------------2-------0----------------0--------
                    --        |                --         |              
--2----------------0--2----------2------------0--2---------
                              |                           |
--2--------------2---------------0-------------------------
                   h.o.                       h.o.


Electric for lead is in standard tuning, using C7 scale
play 8th fret C, F barre chords during chorus

_______________________

Notes: Chelsea Drug is (was) a real drug store in south London--rock 
musician, fan and junkie hang-out in 60's, 70's, 80's, maybe still.
Mr. Jimmy is clearly Jimi Hendrix


Enjoy!

Corrections, additions, comments, criticisms welcome:
Larry Kaye          kaye@umbsky.cc.umb.edu



Tablature player for this song:
 
 
Rolling Stones - You Cant Always Get What You Want Chords :: indexed at Ultimate Guitar.
You Cant Always Get What You Want tabs @ 911Tabs

About the artist behind You Cant Always Get What You Want Chords:

The Rolling Stones are an English band whose music was initially based on rhythm and blues and rock & roll. Formed in London and having their first success in the UK, they subsequently became popular in the US during the "British Invasion" in the early 1960s.[1]

The band formed in 1962 when original leader Brian Jones and pianist Ian Stewart were joined by singer Mick Jagger and guitarist Keith Richards, whose songwriting partnership later contributed to their taking the leadership role in the group. Bassist Bill Wyman and drummer Charlie Watts completed the early lineup. Ian Stewart was removed from the official lineup in 1963 but continued to work with the band as road manager and keyboardist until his death in 1985.

The band's early recordings were mainly covers of American blues and R&B songs. Their 1965 single "(I Can't Get No) Satisfaction" established the Rolling Stones as a premier rock and roll act.[2] Starting with their 1966 album Aftermath, the songs of Jagger and Richards, aided by the instrumental experimentation of Jones, expanded an always present stylistic flexibility. Jones died in 1969 shortly after being fired from the band and was replaced by Mick Taylor.[3] Taylor recorded five albums with The Rolling Stones before quitting in 1974. Former Faces guitarist Ronnie Wood stepped in and has been with the band ever since. Wyman left the Rolling Stones in 1993; bassist Darryl Jones, who is not an official band member, has worked with the group since 1994.

The Rolling Stones have released 22 studio albums in the UK (24 in the US), eight concert albums (nine in the US) and numerous compilations;[4][5] they have had 32 UK & US top-10 singles,[6] 43 UK & US top-10 albums between 1964 and 2008,[citation needed] and have sold more than 200 million albums worldwide.[7] 1971's Sticky Fingers began a string of eight consecutive studio albums at number one in the United States. In 1989 the Rolling Stones were inducted into the American Rock and Roll Hall of Fame, and in 2004 they were ranked number 4 in Rolling Stone magazine's 100 Greatest Artists of All Time.[8] They are also ranked as the number 2 artists of all time on Acclaimedmusic.net.[9] Their latest studio album, A Bigger Bang, was released in 2005 and followed by the highest-grossing tour in history, which lasted into late summer 2007. During the 1969 American tour, tour manager Sam Cutler introduced them as "The Greatest Rock and Roll Band in the World",[10] a title which has remained. Their image of unkempt and surly youth is one that many musicians still emulate.[10]

Indexed at Wikipedia.

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